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An Analysis of the Humanistic Thought and Its Practical Significance in The Old Man and the Sea

Received: 7 May 2023    Accepted: 26 May 2023    Published: 29 May 2023
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Abstract

The Old Man and the Sea is a novellas written by Ernest Hemingway and published in 1952, which not only won him the Pulitzer Prize in 1953, but also the Nobel Prize for Literature in 1954. This work created a "Fever of Hemingway literary" around the world. In this work, Hemingway not only portrays the images of dual Christs, the Great Marlin and the old man Santiago, but also the little boy Manolin as the Redeemer. This article takes the three images of the old man Santiago, the young boy Manolin, and the big marlin as the starting point to analyze the humanistic thoughts in The Old Man and the Sea and the rich practical significance behind them. The old man Santiago develops a sense of camaraderie with the big marlin during their intense struggle and is ultimately saved by the young boy Manolin. In face of voidable death, he still believes that a man can be destroyed, but not defeated. He dares to struggle against the cruel social reality and cruel fate. In this process, it also reflects Hemingway's reflection on the fate of modern Western individuals as a representative writer of The Lost Generation, as well as his concern and exploration for the way out of human survival difficulties.

Published in Science Innovation (Volume 11, Issue 3)
DOI 10.11648/j.si.20231103.16
Page(s) 132-135
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

The Old Man and the Sea, Santiago, Humanistic Ideas, Redeem, The Lost Generation

References
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[2] 杨彩霞. 20世纪美国文学与圣经传统 [M]. 北京: 中国人民大学出版社, 2007.
[3] 王岳川. 艺术本体论 [M]. 北京: 中国社会科学出版社, 2011.
[4] [美] 杰弗里•迈耶斯. 海明威传 [M]. 北京: 中国卓越出版公司, 1990.
[5] 何云燕、华媛媛. «老人与海» 的悲剧性及其宗教仪式 [J]. 大连海事大学学报 (社会科学版), 2012, (02).
[6] 赵文博. «老人与海» 象征意蕴的多重解读 [J]. 吉林师范大学学报 (人文社会科学版), 2009, (01).
[7] 高伟玲. «老人与海» 中的圣经元素 [J]. 中国宗教, 2013, (07).
[8] 沈芯羽、王芳. “迷惘的一代” 下的另类宗教——论 «老人与海» 的宗教信仰问题 [J]. 名作欣赏, 2014, (05).
[9] 王堃. 从 «圣经» 视角解读海明威的作品«老人与海» [J]. 鄂州大学学报, 2014, (06).
[10] 张抗抗. 浅谈 «老人与海» 中的宗教象征意义 [J]. 文学教育 (上), 2017, (07).
[11] 刘建芳、李绍杰、毛海涛. 硬汉与基督——«老人与海» 的象征意义分析[J].时代文学 (下半月), 2010, (05).
[12] 李玉婕. 解读海明威的冰山理论——以 «老人与海» 为例 [J]. 佳木斯职业学院学报, 2020, 36 (02).
[13] 梁彩群. 海明威 «老人与海» 的审美价值探析 [J]. 短篇小说 (原创版), 2014 (14).
[14] 邓满姣, 王慧英. 矛盾观视域下的 «老人与海» [J]. 惠州学院学报, 2020, 40 (05).
[15] 陈海燕. 论 «老人与海» 的三重自传性色彩 [J]. 文学教育 (上), 2021, 532 (02).
[16] 于冬云. 海明威 «老人与海» 中的身份认同与审美乌托邦 [J]. 山东师范大学学报 (社会科学版), 2022, 67 (04).
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    Shihui Yang, Cuiping Zhang. (2023). An Analysis of the Humanistic Thought and Its Practical Significance in The Old Man and the Sea. Science Innovation, 11(3), 132-135. https://doi.org/10.11648/j.si.20231103.16

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    ACS Style

    Shihui Yang; Cuiping Zhang. An Analysis of the Humanistic Thought and Its Practical Significance in The Old Man and the Sea. Sci. Innov. 2023, 11(3), 132-135. doi: 10.11648/j.si.20231103.16

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    AMA Style

    Shihui Yang, Cuiping Zhang. An Analysis of the Humanistic Thought and Its Practical Significance in The Old Man and the Sea. Sci Innov. 2023;11(3):132-135. doi: 10.11648/j.si.20231103.16

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  • @article{10.11648/j.si.20231103.16,
      author = {Shihui Yang and Cuiping Zhang},
      title = {An Analysis of the Humanistic Thought and Its Practical Significance in The Old Man and the Sea},
      journal = {Science Innovation},
      volume = {11},
      number = {3},
      pages = {132-135},
      doi = {10.11648/j.si.20231103.16},
      url = {https://doi.org/10.11648/j.si.20231103.16},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20231103.16},
      abstract = {The Old Man and the Sea is a novellas written by Ernest Hemingway and published in 1952, which not only won him the Pulitzer Prize in 1953, but also the Nobel Prize for Literature in 1954. This work created a "Fever of Hemingway literary" around the world. In this work, Hemingway not only portrays the images of dual Christs, the Great Marlin and the old man Santiago, but also the little boy Manolin as the Redeemer. This article takes the three images of the old man Santiago, the young boy Manolin, and the big marlin as the starting point to analyze the humanistic thoughts in The Old Man and the Sea and the rich practical significance behind them. The old man Santiago develops a sense of camaraderie with the big marlin during their intense struggle and is ultimately saved by the young boy Manolin. In face of voidable death, he still believes that a man can be destroyed, but not defeated. He dares to struggle against the cruel social reality and cruel fate. In this process, it also reflects Hemingway's reflection on the fate of modern Western individuals as a representative writer of The Lost Generation, as well as his concern and exploration for the way out of human survival difficulties.},
     year = {2023}
    }
    

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    AB  - The Old Man and the Sea is a novellas written by Ernest Hemingway and published in 1952, which not only won him the Pulitzer Prize in 1953, but also the Nobel Prize for Literature in 1954. This work created a "Fever of Hemingway literary" around the world. In this work, Hemingway not only portrays the images of dual Christs, the Great Marlin and the old man Santiago, but also the little boy Manolin as the Redeemer. This article takes the three images of the old man Santiago, the young boy Manolin, and the big marlin as the starting point to analyze the humanistic thoughts in The Old Man and the Sea and the rich practical significance behind them. The old man Santiago develops a sense of camaraderie with the big marlin during their intense struggle and is ultimately saved by the young boy Manolin. In face of voidable death, he still believes that a man can be destroyed, but not defeated. He dares to struggle against the cruel social reality and cruel fate. In this process, it also reflects Hemingway's reflection on the fate of modern Western individuals as a representative writer of The Lost Generation, as well as his concern and exploration for the way out of human survival difficulties.
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Author Information
  • The School of General Education, Liaoning University of International Business and Economics, Dalian, China

  • The School of General Education, Liaoning University of International Business and Economics, Dalian, China

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